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Tuesday, July 28, 2020 | History

2 edition of Ducal patronage of music in Mantua, 1587-1627 found in the catalog.

Ducal patronage of music in Mantua, 1587-1627

Susan Helen Parisi

Ducal patronage of music in Mantua, 1587-1627

an archival study

by Susan Helen Parisi

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  • 34 Currently reading

Published by University Microfilms International in Ann Arbor .
Written in English


Edition Notes

Thesis (Ph.D) - Univ. of Illinois at Urbana-Champaign, 1989.

StatementS.H. Parisi.
The Physical Object
Pagination2 v (782p.) ;
Number of Pages782
ID Numbers
Open LibraryOL14834208M

  According to Susan Parisi, “Ducal Patronage of Music in Mantua, – And Archival Study” (Ph.D. diss., University of Illinois at Urbana-Champaign, ), , Orfeo was produced during carnival in by “Prince Francesco for the Invaghiti Academy on 24 February and for the ladies of the city on 1 March.” Parisi speculates on the possibility of the .   " For Rapallino in Mantua, see S. Parisi, ‘Ducal patronage of music in Mantua, – an archival study’ (PhD diss., University of Illinois at Urbana-Champaign, ), p His appointment to St Mark’s and subsequent salary increases are noted I-Vas, Procuratoria de Supra, Terminazioni, reg, fol v (10 December ), fol Author: Rodolfo Baroncini.

Traditions of Musical Patronage in Vienna and Florence Peter Leopold, archduke of Austria, was born in Vienna in ; he grew up at the Habsburg court, surrounded by music-making and musical patronage. His mother Empress Maria Theresa saw to it that Leopold, like all his siblings, had thorough musical training. Isabella d'Este (19 May – 13 February ) was Marchioness of Mantua and one of the leading women of the Italian Renaissance as a major cultural and political figure. She was a patron of the arts as well as a leader of fashion, whose innovative style of dressing was copied by women throughout Italy and at the French : 19 May , Ferrara, Italy.

  In , describing the economic situation of a bass singer in Venice who was being considered for service in Mantua, Monteverdi articulated the main We use cookies to enhance your experience on our continuing to use our website, you are agreeing to our use of : Paola Besutti. the Gonzaga court in Mantua, and facilitated political and social opportunities for her children. Isabella was a scholar of Greek, Latin, and Italian literatures, an avid musician, a patron of music and musicians, and a connoisseur of musical instruments. As a member of .


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Ducal patronage of music in Mantua, 1587-1627 by Susan Helen Parisi Download PDF EPUB FB2

Ducal patronage of music in Mantua, An archival study Welcome to the IDEALS Repository. Ducal patronage of music in Mantua, An archival study Abstract. On the basis of archival documents, musical activity at the court of Mantua is studied for the reigns of four Gonzaga dukes, Vincenzo I (), Francesco (), Ferdinando (), and Vincenzo II ().

The dukes' tastes in music, attitudes toward their Author: Susan Helen Parisi. my dissertation ("Ducal Patronage of Music in Mantua, An Archival Study" [University of Illinois, ], ) as well as in my later article "Bologna Q 27 IV/V: A New Manuscript Source of Italian Monody and Canzonette" (Studi musicali 26 []: ; see pl.

1 opposite p. 80, and ex. 3 [performing edition], pp. Ducal patronage of music in Mantua of the musical events and musical holdings are in Susan Parisi, Ducal Patronage of Music in Mantua, An Archival Study (Ph.D. diss., University of Illinois, ), 2 vols., pp.

(hereafter cited as Parisi). Discussion of the performing ensem. Music and Patronage in Sixteenth-Century Mantua: Volume 2 (Cambridge Studies in Music) [Iain (Author) on Dec Paperback Music and Patronage in Sixteenth-Century Mantua: Volume 2 MUSIC AND PATRONAGE IN SIXTEENTH-CENTURY MANTUA: VOLUME 2 by Fenlon] on *FREE* shipping on qualifying offers.

New copy. Fast shipping. Will. Susan Parisi, Ducal Patronage of Music in Mantua, An Archival Study (Ph.D. diss., University of Illinois, ), 2 vols., pp Parisi, "The Court Cappella at Mantua during Monteverdi's Time: Evidence from the Payrolls," Musicologia Humana: Studies in Honor of Warren and Ursula Kirkendale, eds.

Siegfried Gmeinwieser, David Hiley. For discussion of musical activity during his reign, and of the productions planned, then never mounted, see my "Ducal Patronage of Music in Mantua, An Archival Study," Ph.D.

diss., University of Illinois, especially,and my "Licenza alla mantovana: Frescobaldi and the Recruitment of Musicians for Mantua. Strainchamps, "New Light on the Accademia degli Elevati of Florence," The Musical Quarterly 62 (): – Return to text. A discerning analysis of Ferdinando Gonzaga's personality is presented in Susan Parisi, "Ducal Patronage of Music in Mantua, – An Archival Study," Ph.D.

diss., University of Illinois,chapter 5. While Father Guardian of the monastery of S. Francesco in Viadana, for example, he beat his inferiors. See the letter of 19 June from one Fra Andrea to the Duke of Mantua, cited in Susan Helen Parisi, "Ducal Patronage of Music in Mantua, An Archival Study" (Ph.D.

dissertation, University of Illinois, ),n. 24 The phrase “stil recitativo, e cantativo” comes from a letter of by the composer Santi Orlandi, quoted in Susan Parisi, “Ducal Patronage in Mantua, – An Archival Study,” 2 vols.

(Ph.D. diss., University of Illinois at Urbana-Champaign, ),   Susan Parisi, “Ducal Patronage of Music in Mantua, An Archival Study” (Ph. dissertation: University of Illinois, ) Illustration is from Will Kimball’s Trombone Timeline.

Scroll down to “ca. ” for a description. Buy Music and Patronage in Sixteenth-Century Mantua: v. 1 (Cambridge Studies in Music) 1 by Fenlon, Iain (ISBN: ) from Amazon's Book Store.

Everyday low prices and free delivery on eligible : Iain Fenlon. “Ducal Patronage of Music in Mantua, – An Archival Study.” PhD diss., University of Illinois at Urbana-Champaign, Historical Notes on the Architecture of Italian Confraternities.

"Ducal Patronage of Music in Mantua, – An Archival Study" (), by Susan Parisi is striking. Building a book. 9 On Basile's career see Ademollo, A., La bell'Adriana ed altre virtuose del suo tempo alla corte di Mantova (Città di Castello, ), and Parisi, S., ‘Ducal Patronage of Music in Mantua, – An Archival Study’ (Ph.D.

diss., University of Illinois, ).Cited by: As acknowledged by Hill, from Susan Helen Parisi, "Ducal Patronage of Music in Mantua, An Archival Study," 2 vols. (Ph.D. diss., University of Illinois at Urbana-Champaign, Carefully but efficiently argued, the book's main points indeed help distin-guish the music of Montalto's musicians from the Florentine idiom as we.

Ducal patronage of music in Mantua, an archival study by Susan Helen Parisi () Un ritratto ritrovato di Francesco IV Gonzaga e il ciclo dei signori di Mantova già a Castiglione delle Stiviere by Paolo Bertelli (Book).

With the emphasis on music and Italian festivals in this section, the absence of any mention of the readily available University of Illinois dissertation, "Ducal Patronage of Music in Mantua.

12 For Rasi see Susan Helen Parisi, 'Ducal Patronage of Music in Mantua, An Archival Study', Ph.D. thesis (University of Illinois at Urbana-Champaign, ), and William Porter, 'Rasi, Francesco' in Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, 2nd edn.

(London: Macmillan, ). For. With the emphasis on music and Italian festivals in this section, the absence of any mention of the readily available University of Illinois dissertation, "Ducal Patronage of Music in Mantua Author: John Matteson. With the emphasis on music and Italian festivals in this section, the absence of any mention of the readily available University of Illinois dissertation, "Ducal Patronage of Music in Mantua Author: Mara Wade.With the emphasis on music and Italian festivals in this section, the absence of any mention of the readily available University of Illinois dissertation, "Ducal Patronage of Music in Mantua, – An Archival Study" (), by Susan Parisi is striking.

86 The pattern of departures and replacements (calculable from Susan Parisi, ‘Ducal Patronage of Music in Mantua, – An Archival Study’ (Ph.D diss., University of Illinois, Urbana-Champain, ), passim) indicates that Monteverdi was appointed to fill the place among the ten cantori left vacant by the departure of the castrato Cited by: